Smirnenski & His “Story of the Ladder" | Sophia Verai
ARTS AND LITERATURE
Editor: Zoe Wallace
Rule, Britannia! Britannia, Rule the Waves! | Elizabeth Kalu
Bilibin: Blending Art Nouveau with Folklore | Sophia Verai
‘Ophelia’: Fresh Eyes and a Sound Mind | Sophia Verai
Klimt: The Art Nouveau Virtuoso of Gold and Symbolism | Sophia Verai
Mucha: The Master of Art Nouveau | Sophia Verai
Dominion: Hirst Brings Unfamiliar Feeling to our Most Familiar Works | Cleo Bador
The Controversy of Marina Abramović: Art or Self-Destruction? | Clara Biancelli
Subnautica: Creating a Horror Experience (Part 7) | Danny Andrews
Subnautica: Creating a Horror Experience (Part 6) | Danny Andrews
Subnautica: Creating a Horror Experience (Part 5) | Danny Andrews
Subnautica: Creating a Horror Experience (Part 4) | Danny Andrews
Subnautica: Creating a Horror Experience (Part 3) | Danny Andrews
Subnautica: Creating a Horror Experience (Part 2) | Danny Andrews
Subnautica: Creating a Horror Experience (Part 1) | Danny Andrews
The Role of Renfield in 'Dracula' | Sophia Verai
Women in Revolt! - Art for More Than ‘Art’s Sake’ | Nour Ghannam
Literary Intertextuality in Emerald Fennel’s Saltburn | Chloe Joyce
Smells like Teen Spirit | Nour Ghannam, Salma Amin
Van Gogh: Madman or Genius? | Fela Callahan
Thoughts on The National Opera's Tosca | Luna Hills
What is a portrait?-Looking at Donald Rodney's 'A Land of Milk and Honey II' | Aliya Mueller-Koegler
Swimming Upstream: David Hammons’ Revolutionary Art | Renee Bel-Momodu
The Sinister Revolution of Punk Rock | Irine Teneishvili
‘Story telling is a political act’ – Polly Creed’s Lecture | Mia Spiller
60s Body Art: A Cultural Fad or a Feminist Revolution? | Eve Scott
Looking back on Carols at St Margaret’s | Rhiana Thomas
‘Grief is the Thing with Feathers’ by Max Porter. A review of one of the decade’s most i
Why ‘Animals’ Is A Masterpiece | Jacob Seager
English Literature: What does it mean to today’s youth?|Aashna Shaikh & Alaa El-Hannach